The Bible in Art by Clifton Harby Original Copyright
paperback. Zustand: good. Prompt shipment, with tracking. nosotros ship in boxesGood pamphlet. Damp stain on back cover and last page, otherwise make clean pages. Cover tanned. Habiliment, pocket-sized tears in edges.
The V Scrolls
Verlag: Central Conference of American Rabbis, New York, 1984
Signiert
hardcover. Zustand: fine. Hebrew texts, English translations, introduction, and new liturgies. Translations edited past Rabbi Albert H. Friedlander. Liturgies edited by Rabbi Herbert Bronstein. Illustrated and designed past Leonard Baskin. Original frontispiece lithograph, signed & dated. 37 watercolor plates. 323pp. Page, cloth, d.w. New York: Primal Conference of American Rabbis, 1984. A fine copy. New Translations of Ecclesiastes, Esther, Song of Songs, Ruth and Lamentations, with explanatory notes. Text in Hebrew and English. One of 175 copies printed on pure rag sheet paper & numbered and signed past the creative person.
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Softcover. Zustand: Near Fine. 12mo. (4)pp. Self-wrappers. Near fine. Small pamphlet prospectus with a facsimile of the championship folio on the first leaf and a spread illustration on the second and third leaves, to be issued in 12 parts, and with full ordering data on last leaf.
HARDCOVER. 1st edition. 142pp&41pp, b/due west illustrations, octavo Schweich Lectures 1939 some encompass vesture, small bumping to corners, tight binding, some discoloration to last few plate edges, text clean throughout, Very Good-.
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Zustand: Sehr gut. 452 Seiten Gepflegter, sauberer Zustand. 30911296/2 Gebundene Ausgabe, Gr��eastward: 15.2 x two.five 10 22.9 cm.
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Zustand: Very Expert. Zustand des Schutzumschlags: Very Adept. Merian, Mattaus (illustrator). 4to pp. 255, color illustrations. volume.
Hardbound. Red embossed and color decorated cloth. 361 pp., many illustrations with tissue guards. Adept, ex art library copy with spine characterization, bookplate and small postage on top and bottom text block edges, inner front hinge cleaved at paper and holding by cloth, front piece is loose merely clean.
Showtime Edition. xxx cm, v volumes jump in two volumes. 1904-1906. Containing: one) The Former Testament in Art. -- 2) Joshua to Task. -- three) Psalms to Malachi. -- 4) The Gospels in Art. -- 5) The Apostles in Art. 208 pp., 160 pp., 88pp., [i] p., 282 pp., [1] p., 160 pp., red cloth, gold lettering, upper edges gilt. Spine faded. Profoundly illustrated with photogravure plates with tissue gards and monochrome plates. With two profound introductions by Leonce B�n�dite, Keeper of the Luxenbourg. William Blake'southward illustrations to the book of Job reproduced in facsimile the total size of the original proofs. Information technology has useful indices.
The Holy Bible.
Verlag: Cambridge John Baskerville, 1763
Erstausgabe
First Edition, l folio (495 ten 33 cm); calorie-free spotting to title, contemporary green morocco golden, all edges gilt, lightly rubbed, low-cal damp stain to concluding half dozen leaves else a fine copy. John Baskerville (1706 -1775), English language printer and creator of a typeface of cracking distinction begetting his name, whose works are amid the finest examples of the fine art of press. Baskerville became a writing master at Birmingham merely in 1740 established a japanning business, whose profits enabled him to experiment in typography. He ready up a printing business firm and in 1757 published his outset work, an edition of Virgil, followed in 1758 past an edition of John Milton. Appointed printer to the University of Cambridge, he undertook this edition of the Bible (1763), which is considered his masterpiece. He published an edition of Horace in 1762; the success of a 2d edition (1770) encouraged him to event a series of editions of Latin authors. The bold quality of Baskerville's print derived from his use of a highly glossed paper and a truly blackness ink that he had invented. His typography was much criticised in England, and after his death his types were purchased by the French dramatist Pierre-Augustin Caron de Beaumarchais. Their subsequent history is uncertain only in 1917 the surviving punches and matrices were recognised, and in 1953 they were presented to the University of Cambridge. Baskerville blazon has been revived, its clarity and balance making it a expert blazon for continuous reading. Gaskell 26; Herbert 1146; T.B. Reed, A History of the Quondam English Alphabetic character Foundries, p. 279.
The Holy Bible.
Verlag: Pomona College Museum of Fine art., Pomona, 2006
Erstausgabe
Softcover. Zustand: Fine. Zustand des Schutzumschlags: No Dust Jacket. Starting time Edition; First Printing. First edition. Fine in blackness printed wrappers. (32pp. ) (6" X eight") Illustrated throughout. ; 6" x 8"0915478994; 32 pages.
Zustand: Practiced. . No date stated, reproduction of the 1682 edition. 14 plates and pamphlet in slipcase. Slipcase Acceptable. (judaism christianity art).
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BIBLE IN LATIN
Verlag: Nuremberg. Anton Koberger. 6th August 1479, 1479
Erstausgabe
Bible in Latin with additions past Menardus Monachus. Published in Nuremberg by Anton Koberger, 6th August 1479. Folio 17 x xi one/2 inches. Koberger's fifth edition of St. Jerome's Vulgate text with Menardus'south notice on the books of the Bible. A Excellent Tall, FRESH INCUNABLE BIBLE, 468 leaves- being an opening leafage, Bible text numbered 1-461 and 6 leaves of Menardus Monachus- the complete text. Catamenia HAND COLOURED INITIALS THROUGHOUT- more than two per leaf and SOME MAJOR LARGE COLOURED INITIALS IN INTERLOCKING RED OR Blue OR BOTH, red paragraph marks and some coloured initials with strokes or flourishes. Jump in catamenia blindstamped calf over wooden boards, spine re-covered in 19th century pigskin. Wanting the clasps. Paper index tags and a fragment of a German missal (circa 1200) on vellum with coloured initials mounted on the 19th century endleaves. Good thick heavy 15th century paper. Some occasional one-time marginalia. Contemporary correction past the rubricator on page 359 adding the word oniam in cherry. The following modest flaws- some marginal stain on folios eighteen and 218, tear to a corner at folio 190 not affecting the text. Minor outer marginal old h2o stain to the bottom of the terminal circa 70 leaves. Very handsome and well presented Bible in extraordinarily proficient condition. Bibliography- Brunet 1 page 871. Provenance - William Henry Dutton 1827-1903 and sale at Sotheby's 8th December 1903. Anton Koberger circa 1440-1513 was the High german goldsmith, printer and publisher who printed and published the Nuremberg Chronicle, a landmark of incunabula, and was a successful bookseller of works from other printers. In 1470 he established the kickoff printing firm in Nuremberg. He apace became the most successful publisher in Germany. Koberger was the godfather of Albrecht D�rer, whose family lived on the same street.
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THE MACKLIN BIBLE)
Verlag: T. Bensley for T. Macklin [terminal volume Bensley for T. Cadell & W. Davies] 1800 [for the six volumes of the Bible], 1816 [for the Apocrypha], London, 1800
First Printing of this Edition. 480 x 385 mm. (19 x 15 1/8"). One leaf in the Apocrypha (3P2, comprising two prologues of Ecclesiasticus) invisibly inserted from another copy. Seven volumes (comprising the regular Bible in six volumes, and the Apocrypha, usually not included, every bit a 7th volume). Admittedly MAGNIFICENT CONTEMPORARY RED NEOCLASSICAL-Fashion Direct-GRAIN MOROCCO, SUMPTUOUSLY Golden AND ONLAID WITH Blue, Past GEORG FRIEDRICH KRAUSS, washed for Duke Albert of Saxe-Teschen (with repeated "AST" monogram), covers with very elaborate frames incorporating 11 plain and decorative gilt rules, four onlaid borders of blue kingdom of morocco, and very elegant swirling foliate ornamentation around the central scalloped panel, half-dozen pairs of raised bands, each pair flanking a recessed gilt and blue metope and pentaglyph rule, very handsome spine compartments with blue fan-shaped cornerpieces and central gilt-busy blue medallions within sunburst gilt collars, plough-ins with Greek fundamental pattern in gilt, striking endleaves of turquoise and light-green watered silk (the Apochrypha endleaves slightly unlike). With more than than 100 emblematic headpieces and tailpieces and some 70 Splendid LARGE-FOLIO-SIZE COPPER PLATES afterwards Fuseli, Reynolds, West, and others, most plates printed earlier letters. Tissue guards (perhaps after). Herbert 1442 and 1651. Beginning volume with about thirty leaves noticeably foxed, the bulk of plates offset onto previous and following pages, consistent inoffensive offsetting of text on facing pages, other trivial imperfections, but notwithstanding a very impressive copy internally, with the luxurious paper used for the text both fresh and make clean, and the engravings richly impressed and with very lilliputian foxing. Some unimportant scuffing and rubbing to the leather, merely all defects minor, THE MAGNIFICENT BINDINGS REMARKABLY WELL PRESERVED, the heavy volumes completely solid, with only insignificant signs of use, and THE MOROCCO AND LAVISHLY GILT Ornamentation EXTREMELY Vivid. AN ALTOGETHER MEMORABLE COPY. The most prodigious class of Scripture in English always published, the Macklin Bible was often put into ornate bindings, especially past London binders like Staggemeier and his contemporaries. Just, withal much other sets may glisten, the nowadays magnificent case surely stands at or nigh the front of the line as one of the most lavishly busy and arresting copies in beingness. Its decorative extravagance also testifies to the fact that Macklin's publication was sufficiently admired outside of England to warrant the finest workmanship and the expenditure of nifty sums of money on artistic resources. The very large and bold type, the fine Whatman paper, and the series of engravings by some of the well-nigh celebrated artists of the catamenia make this an item that is already very desirable. Like the Boydell "Shakespeare Gallery" (also printed by Bensley), our Macklin Bible is a vast picture book with illustrations that are grand both in size and emotional bear on. Simply it is, of course, the bindings here that affair the near. Francesco Piranesi is generally given credit for inventing the Neoclassical style when he designed volumes presented to Gustavus III of Sweden during this monarch's visit to Rome in 1783-84. Quickly popular, the Neoclassical style was imitated and developed by Staggemeier & Welcher in London, by F. W. Standlander in Stockholm, and past Georg Friedrich Krauss in Vienna. Krauss was the most prominent Continental folder working in this style of the day, and Saxe-Teschen was perhaps his about important client. Products of the Krauss bindery have passed through some of the most distinguished collections over the years, particularly those of F�rstenberg and Sch�fer; and his bindings take consistently brought remarkable sums of coin at auction. It is sufficient to say that the nowadays grouping of bindings represents the most impressive collection of decorative volumes we accept e'er offered for sale. The collector for whom these bindings were originally executed, Knuckles Albert of Saxe-Teschen (1738-1822), was the son of Friedrich August II of Saxony and the son-in-police of the empress Maria Theresa. After providing important military and civil service to the Habsburg empire, he retired to Vienna in 1795 and afterward devoted himself to the fine arts. He founded the Albertina, which at present houses the greatest collection of prints in the world, and he put together a great library distinguished by the highest gustation and nigh exacting standards. The nowadays copy has the additional distinction of containing what amounts to an extra book: the Macklin Bible, however it is jump, nigh oft appears in the market without the Apocrypha, appearing here as Volume Vii, which was non issued until xvi years afterward the others. It is besides of some interest that the bindings of our seven volumes were busy in an entirely compatible fashion (every bit a close inspection shows), something not typical of a set with volumes published and so many years apart. (The non-uniform endleaves in the terminal book hither may have resulted from the fact that, given the physical size of the books, the binder simply ran out of the cloth he had used for lining the first six volumes.).
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hardcover. Zustand: near fine. Zustand des Schutzumschlags: very proficient(+). Baskin, Leonard (illustrator). Illustrated and designed by Leonard Baskin. Translations edited by Rabbi Albert H. Friedlander. Introductions co-edited past Rabbi Herbert Bronstein and Rabbi Albert H. Friedlander. xiii + 323 pages. Thick page, blue fabric, d.w. New Yorki: CCAR (Central Conference of American Rabbis), 1984/5744. Small dent in dw spine; neat inscription in English and Hebrew on front end costless endpaper, withal a virtually fine copy in a very good(+) dust wrapper.
hardcover. Zustand: nigh fine. Private. 44 colour plates. 253 pages. 4to, cloth-backed boards, t.e.g., slipcase (solid but somewhat faded and worn at edges). New York: The Samuel H. Kress Foundation, 1959. A nigh fine copy in very expert slipcase.
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Zustand: Sehr gut. 0 Gepflegter, sauberer Zustand. 27130821/2 Taschenbuch, Gr��e: 20.1 x 0.5 x 14.ii cm.
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Couverture rigide. Zustand: bon. RO80173430: 1659. In-4. Reli�. Bon �tat, Couv. convenable, Dos satisfaisant, Int�rieur frais. 239 Pages. Nombreuses illustrations en couleur et en noir et blanc et en couleur hors texte. Une annotation au crayon � papier et au stylo. Illustrations sur page de garde en dor�e. Livre en anglais. Frontispice. . . . Classification Dewey : 220-Bible.
Zustand: Fair. Acceptable condition. Acceptable dust jacket. Front end hinge cleaved. Rear hinge cracked. Reading re-create only. (Christian art) Not Available FOR SHIPMENT Outside OF THE UNITED STATES.
Tela con sobrecubierta ed. 239 p.(la mayor parte de fifty�minas) Obra completamente ilustrada con l�minas y grabados a color y en b/n.En ingl�s. xxx.five x 22.v cm.
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Parchment Paper Covered Boards. Zustand: Very Good. Deluxe binding. 283, 156 pp. Publisher'south gilt-busy parchment paper-covered boards. Beveled edges. Top edge golden. Some spotting to rear board. Spotting internally, occcasionally heavy. With 400 illustrations in photogravure duplex and monochrome, representing the piece of work of 157 artists. 4to.
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The Bible.
Verlag: Paris T�riade, 1956
Signiert
2 vols, limited edition, 1 of 275 copies on montval paper, this numbered 73, signed by Chagall in ink on the justification, from a total edition of 295, page (44 x 34 cm); half-title, title, text in French and 105 etchings in blackness and white, with tissue guards, loose as issued, publisher's printed wrappers, in original cloth backed grey chemises and slipcase, an fantabulous instance. An excellent example of Chagall's monumental illustrations for The Bible. One of 275 copies. 'One of the very few major Bible illustrations of the 20th century. Chagall combines the majesty of the Jewish tradition with the wit of popular art'. The work was start requested by Vollard in 1931 and completed for T�riade in 1956. The text is from the French Geneva translation of 1638.
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Hardcover. pp. 50. 4to. Black and white illustrations. Lite general shelfwear; very good in very proficient, rubbed dustjacket.
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Outset edition 4to, pp.96, colour illustrations. Fine copy in original material, dust jacket.
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Hardcover. 32 x 24.five cm. Quarto. 441 pages. Blue boards in grit jacket. Some rubbing to the edges of the boards and dust jacket. Beautifully illustrated. Very Good in Very Good dust jacket.
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The Perfume Bible.
Verlag: London; Kyle Books; 2014., 2014
First Edition; Med. 4to; pp. 192; decorated endpapers, coloured frontispiece, text illustrated with numerous coloured and b/w. photographs, index, bound in original pink boards, championship lettered in white on spine and front end board, dustjacket, fine copy.
Cloth, VG. 20 studies, 1969-92.
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Hardcover. Zustand: Well-nigh Fine. Zustand des Schutzumschlags: Nigh Fine. Black and white illustrations throughout. First edition. Previous owner'due south name on front end complimentary endpaper, else near fine in a well-nigh fine (calorie-free edge wear) dust jacket.
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Women of the Bible
Verlag: Liturgy Training Publications, Chicago, 2000
Erstausgabe
Loose Sheets. Zustand: Fine. First edition. Folio containing 24 loose prints by the artist depicting women from the bible. Prints are held in a stiff newspaper printed and illustrated folding binder. Fine status.
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Zustand: Very Good. Very Skillful condition. A re-create that may have a few cosmetic defects. May likewise contain a few markings such as an owner's name, short gifter'southward inscription or light postage.
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Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, brusk gifter's inscription or light postage stamp.
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